' (''The Secret Marriage'') is a

dramma giocoso ''Dramma giocoso'' (Italian, literally: drama with jokes; plural: ''drammi giocosi'') is a genre of opera common in the mid-18th century. The term is a contraction of ''dramma giocoso per musica'' and describes the opera's libretto (text). The ge ...

in two acts, music by

Domenico Cimarosa Domenico Cimarosa (; 17 December 1749 – 11 January 1801) was an Italian composer of the Neapolitan school and of the Classical period. He wrote more than eighty operas, the best known of which is ''Il matrimonio segreto'' (1792); most of his ...

, on a

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...

Giovanni Bertati Giovanni Bertati (10 July 1735 – 1 March 1815) was an Italian Libretto, librettist. Bertati was born in Martellago, Italy. In 1763, he wrote his first libretto, ''La morte di Dimone'' ("The Death of Dimone"), set to music by Antonio Tozzi. Two ye ...

, based on the 1766 play ''

The Clandestine Marriage ''The Clandestine Marriage'' is a comedy by George Colman the Elder and David Garrick, first performed in 1766 at Drury Lane. It is both a comedy of manners and a comedy of errors. The idea came from a series of pictures by William Hogarth entit ...

'' by

George Colman the Elder George Colman (April 1732 – 14 August 1794) was an English dramatist and essayist, usually called "the Elder", and sometimes "George the First", to distinguish him from his son, George Colman the Younger. He also owned a theatre. Early life H ...

and

David Garrick David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Sa ...

. It was first performed on 7 February 1792 at the Imperial Hofburg Theatre in Vienna in the presence of

Emperor Leopold II Leopold II (Peter Leopold Josef Anton Joachim Pius Gotthard; 5 May 1747 – 1 March 1792) was Holy Roman Emperor, King of Hungary and Bohemia, and Archduke of Austria from 1790 to 1792, and Grand Duke of Tuscany from 1765 to 1790. He was a son ...

Performance history

Cimarosa's only work still to be regularly performed, it is arguably one of the greatest 18th century

opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...

apart from those by

Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...

. Its premiere was the occasion of the longest encore in operatic history; Leopold II was so delighted that he ordered supper served to the company and the entire opera repeated immediately after. The Italian premiere of the opera was given at

La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...

in Milan on 17 February 1793 with Maria Gazzotti as Carolina and Vincenzo Del Moro as Paolino. On 23 May, the same year, it arrived at the Teatre de la Santa Creu in Barcelona. England saw the work for the first time on 11 January 1794 at

The King's Theatre Her Majesty's Theatre is a West End theatre situated on Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established t ...

in London and the following 6 August it was performed for the first time in Portugal at the

Teatro Nacional de São Carlos The ''Teatro Nacional de São Carlos'' () (''National Theatre of Saint Charles'') is an opera house in Lisbon, Portugal. It was opened on June 30, 1793 by Queen Maria I as a replacement for the Tejo Opera House, which was destroyed in the 1755 L ...

in Lisbon with Domenico Caporalini as Carolina and Luigi Bruschi as Paolino. The French premiere was given by the Théâtre-Italien in Paris on 10 May 1801 with Teresa Strinasacchi Avogadro as Carolina and Gustavo Lazzarini as Paolino. ' was first performed in the United States at the Italian Opera House in New York City on 8 January 1834. The

Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operat ...

presented the work for the first time on 25 February 1937 with

Muriel Dickson Muriel Dickson (12 July 1903 – 11 March 1990) was a Scottish soprano who was particularly known for her performances in the works of Gilbert and Sullivan. After performing with the D'Oyly Carte Opera Company for seven years, she sang for four ...

as Carolina,

George Rasely George Rasely (October 27, 1890, St. Louis, Missouri – 3 January 1965, Lawrence, Kansas) was an American tenor who had an active career in operas, concerts, and musicals during the first half of the 20th century. He was also a frequent perf ...

as Paolino,

Natalie Bodanya Natalie Bodanya (August 23, 1908 – March 4, 2007) was an American operatic soprano who had an active international career from the late 1920s through the 1940s. She notably sang at the Metropolitan Opera in New York City from 1937 through 1942 ...

as Elisetta, Julius Huehn as Robinson, and

Ettore Panizza Ettore Panizza (born Héctor Panizza; 12 August 187527 November 1967) was an Argentine conductor and composer, one of the leading conductors of the early 20th century. Panizza possessed technical mastery and was popular and influential during ...

conducting.

Roles

Synopsis

We are in the household of Geronimo, a wealthy citizen of Bologna; he has two daughters, Elisetta and Carolina, and a sister Fidalma, who runs the household. He also has a young secretary, Paolino, who is secretly married to the younger daughter, Carolina.

Act 1

Paolino is working to arrange a marriage contract between Elisetta and his patron, Count Robinson, hoping that as soon as Geronimo's older daughter is well married, his marriage to the younger one will be acceptable. Count Robinson has written a letter expressing interest – tempted by Elisetta's substantial dowry – and Geronimo is thrilled to think that his daughter will be a Countess ("Udite, tutti udite"). Fidalma confesses to her niece that she is in love, too, but only reveals in an aside to the audience that she has her eye on Paolino ("È vero che in casa"). When the Count arrives he is disappointed to find that it is not Carolina who has been offered to him ("Senza tante cerimonie"). He tells Paolino that he will be content with a smaller dowry and sends him off to arrange the match. Carolina does not dare tell the count that she is married, so when she admits she has no lover it excites him further; she tries to convince him she has no desire or qualification to be a countess ("Perdonate, signor mio"), but he continues to pursue her. Elisetta accuses them both of betraying her, and the commotion attracts Fidalma who joins Carolina in trying to calm Elisetta ("Lasciatemi, signore"); everyone tries at once to explain his or her feelings to the confused and exasperated Geronimo ("Orsù, saper conviene").

Act 2

Geronimo insists that the Count must honor his contract and marry Elisetta, but the Count refuses. When he offers to accept a smaller dowry with Carolina's hand instead, Geronimo is delighted to save face and money – as long as Elisetta agrees. Paolino is distraught, and throws himself on Fidalma's mercy, but is stunned to find that she hopes to marry him; he faints, giving her the idea that she returns his emotion and making Carolina think she has been betrayed, but he promises that they will leave the house at dawn and take refuge in the house of a relative. The Count tells Elisetta all his bad habits and physical defects, hoping she would reject him, but she stands firm – and he finally confesses that he cannot abide her. Geronimo can not persuade her either. Fidalma suggests sending Carolina to a convent, and Geronimo agrees. Carolina is broken-hearted and tries to confess her predicament to the Count, but they are interrupted by her sister, her aunt and her father who are gleeful at having caught them together, and Geronimo sends Paolino off with a letter to the Mother Superior. After a brilliant and farcical finale Paolino and Carolina finally confess they have been married for two months; Geronimo and Fidalma are furious, but the Count and Elisetta advise them to forgive the newlyweds, adding that they themselves will marry after all.

Recordings

* 1951: Alda Noni, Ornella Rovere,

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Cesare Valletti Cesare Valletti (18 December 1922 - 13 May 2000) was an Italian operatic tenor, one of the leading tenore di grazia of the postwar era. Valletti was born in Rome, where he studied music. He also studied privately with Tito Schipa. He made h ...

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, Antonio Cassinelli – Orchestra del

Maggio Musicale Fiorentino The Maggio Musicale Fiorentino (English: Florence Musical May) is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annuall ...

, Manno Wolf-Ferrari – (Warner Fonit) * 1956:

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, Franco Calabrese – Orchestra del Teatro alla Scala,

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– (EMI) * 1978:

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, Júlia Várady, Julia Hamari, Ryland Davies,

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, Alberto Rinaldi –

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, Record review of ''Il matrimonio segreto''. ''

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'', 119(1623), 426 . – (Deutsche Grammophon) * 1991: Susan Patterson, Janet Williams, Gloria Banditelli,

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, Alfonso Antoniozzi, Orchestra of the Eastern Netherlands, Gabrielle Bellini – (Arts Music) * 2008: Cinzia Forte, Priscille Laplace, Damiana Pinti, Alberto Rinaldi, Aldo Caputo – Orchestra & Chorus of the

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, Giovanni Antonini – (

Dynamic Dynamics (from Greek δυναμικός ''dynamikos'' "powerful", from δύναμις ''dynamis'' "power") or dynamic may refer to: Physics and engineering * Dynamics (mechanics) ** Aerodynamics, the study of the motion of air ** Analytical dynam ...

)

References

External links

* *
Libretto
{{DEFAULTSORT:Matrimonio Segreto, Il 1792 operas Italian-language operas Opera buffa Operas Operas by Domenico Cimarosa Opera world premieres at the Burgtheater Operas based on plays Leopold II, Holy Roman Emperor